《星语》讲述了一个家庭三代女性跨越三个年代的故事。三个故事的背景都是同一幢秋日的乡间小屋，记录了三个女人在临近不惑之年发生的心路转折。小屋建于20年代，之后成为了这个家庭的消夏去处。三个女人塞玛、图莉姬和萨拉的故事分别发生在1942、1978和今天。影片将三个故事用各种线索相串联，如同将三幅色彩各异的画卷相交叠。三个女人跨越时光的不同命运由此逐渐浮出水面，在星空下连接成一幅壮观的图景。 　　导演简介：萨拉•坎泰尔作品《心跳》曾获2010年芬兰奥斯卡奖和芬兰最有价值电影奖。1996年毕业于赫尔辛基艺术设计大学电影电视专业，从此成为一名电影导演及编剧。她曾在美国洛克波特学习剧本写作和导演，师从乔•沃菲尔德。 　　资料来源：第15届上海国际电影节官网

《星语》讲述了一个家庭三代女性跨越三个年代的故事。三个故事的背景都是同一幢秋日的乡间小屋，记录了三个女人在临近不惑之年发生的心路转折。小屋建于20年代，之后成为了这个家庭的消夏去处。三个女人塞玛、图莉姬和萨拉的故事分别发生在1942、1978和今天。影片将三个故事用各种线索相串联，如同将三幅色彩各异的画卷相交叠。三个女人跨越时光的不同命运由此逐渐浮出水面，在星空下连接成一幅壮观的图景。 　　导演简介：萨拉•坎泰尔作品《心跳》曾获2010年芬兰奥斯卡奖和芬兰最有价值电影奖。1996年毕业于赫尔辛基艺术设计大学电影电视专业，从此成为一名电影导演及编剧。她曾在美国洛克波特学习剧本写作和导演，师从乔•沃菲尔德。 　　资料来源：第15届上海国际电影节官网

本片讲述电影圈背后残污纳垢的故事。柯俊雄饰演电影小生郭子达，不满未婚妻，以及想上位的女主角香香（李湘饰）而翻脸，倒过头来追化妆小妹美云（张艾嘉饰），因为受到郭子达的力捧，美云坐上了女主角的位置，美云的妈妈也与电影公司签订了协议，不料投资失败，倒欠了电影公司很多钱，美云在外私自接了郭子达的电影，郭被电影公司告了而停滞拍摄，一下变得落魄。美云和她妈妈在困顿之际寄人篱下，被严金瑞（杨群饰）的诚恳感动，并把女儿美云嫁给严金瑞。美云不得不跟郭子达断交，郭再也没有男主角的大牌样，做起了跑龙套。片中胡因梦饰演严金瑞的前妻陆小梅，镜头很少。本片的主题曲由凤飞飞，刘家昌以及刘文正演唱，这靡靡之音叫人陶醉。

本片讲述电影圈背后残污纳垢的故事。柯俊雄饰演电影小生郭子达，不满未婚妻，以及想上位的女主角香香（李湘饰）而翻脸，倒过头来追化妆小妹美云（张艾嘉饰），因为受到郭子达的力捧，美云坐上了女主角的位置，美云的妈妈也与电影公司签订了协议，不料投资失败，倒欠了电影公司很多钱，美云在外私自接了郭子达的电影，郭被电影公司告了而停滞拍摄，一下变得落魄。美云和她妈妈在困顿之际寄人篱下，被严金瑞（杨群饰）的诚恳感动，并把女儿美云嫁给严金瑞。美云不得不跟郭子达断交，郭再也没有男主角的大牌样，做起了跑龙套。片中胡因梦饰演严金瑞的前妻陆小梅，镜头很少。本片的主题曲由凤飞飞，刘家昌以及刘文正演唱，这靡靡之音叫人陶醉。

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

《星语心愿》为爱重逢，“洋葱头”升级暖男学霸（王传君），“秋男”晋升霸气师姐（董维嘉），你也许会猜中开头，但你永远猜不到结局。情未了，爱难追。连一个拥抱都无法给与，我却是这世上最爱你的那一个；就算命运一定要让我们生死相隔，我也要找到一种方式回到你身旁守护你……

“洋葱头”升级暖男学霸（王传君 饰），“秋男”晋升霸气师姐（董维嘉 饰），你也许会猜中开头，但你永远猜不到结局。 　　情未了，爱难追。连一个拥抱都无法给与，我却是这世上最爱你的那一个；就算命运一定要让我们生死相隔，我也要找到一种方式回到你身旁守护你……

本纪录片聚焦奥申·拉姆齐，讲述了这位海洋保护主义者兼社交媒体活动家如何无所畏惧的与鲨鱼共泳，完成保护鲨鱼的危险使命

每一个人都有自己的故事，每一片土地都有独特的生命力，在冬季寒冷的北极圈，在终日不见阳光的极夜，有这样一群人， 因为不同的理由活着，他们为了生活，为了理想，在茫茫的冰原中闪烁着，发出独特的光芒，或闪亮自己，或照亮别人。本片以光为主题，从科学之光，人性之光和神性之光几部分，讲述在斯瓦尔巴群岛生活的人们。不同种族，不同文化和不同信仰在此交融，在情与爱中得到传承和延续，在理性与感性间展现人性之美，在人与自然之间和谐共存，而他们每一个人都是 “光语者”。